Saturday, February 27, 2016

[INTERVIEW] CADEEM --- LITTLE ROCK GOT SOMETHIN' TO SAY

                                                          By WISDOM
                                                                    Published February 27, 2016



You have to love the true beauty of social media.  I've come across many artists and creative souls via Twitter, Soundcloud, Facebook, Instagram, Periscope and other platforms; these are individuals I may not encounter if not for the reach of technology.  One dynamic individual who I've come across is a Little Rock, Arkansas emcee that goes by the name Cadeem (@Cadeem_1606).  The first word that comes to mind when referring to Cadeem is humble.  Be it his upbringing or his Southern upbringing, you get the sense that Cadeem has a soul and spirit maybe a decade or more ahead of his calendar age.  I had the pleasure and distinct honor of interviewing this conscious, intelligent, socially aware who has a very bright future in Hip Hop and beyond.

We coordinated our interview as a very conversational, free-flowing affair.  Since there is about 850 miles separating us, of course the interview would be phone-based.  With me traveling to Durham for an event, I opted to travel to Duke University to conduct our interview.  Looking for a relatively quiet area inside the Bryan Center, I was able to have a very dope conversation with Cadeem, touching on everything from his influences, the Little Rock Hip Hop scene, relationship status to what the future holds for this budding lyricist.  With the blessings of Cadeem, I give you this slice of journalism, because Little Rock indeed has something to say.

 
 
WISDOM SEEKER:  What sparked your love of Hip Hop?
 
CADEEM:  I can safely say listening to samples.  I was originally a jazz head.  You could hear those elements and put them in Hip Hop.  It just blew my mind when I heard a sax and it didn't sound corny.  I mean, this is jazz, but he is rapping to it.  You could just hear the jazz influences in the music I was listening to at the time.  Music in general, to be truthful, sparked that love.  My family is musically inclined, that's for sure.
 
WISDOM SEEKER:  Name five artists that have influenced you.
 
CADEEM:  Elzhi.  Nas.  This will throw you for a loop, but Ab-Soul.  Dope artist.  Oh my goodness, let's say Joe Budden.  I'm from the South man. (laughter)  He ain't done nothin' since "Pump It Up".  This is difficult man.  Who is gonna get this last spot?
 
WISDOM SEEKER:  We're going to come back to that one.  Name three producers who inspire you.
 
CADEEM:  Dilla of course.  Let me see who else can get this spot.  9th.  Knxwledge.  Do you know who Knxwledge is?
 
 
WISDOM SEEKER:  Definitely!  He's a dope producer based in Cali on Stones Throw.
 
CADEEM:  I heard him on "Killuminati" (featuring Joey Bada$$ and Capital STEEZ).  This is some coffee table, smooth...took the beat to a whole 'nother level.  It's so many niggas that got that heat man.  But just wait 'til you hear what I have cookin'.
 
WISDOM SEEKER:  That leads me to my next question.  What are you working on right now?
 
CADEEM:  I don't want to give out the title of my new project yet. (laughter)  My first tape came out on December 5th, when Mandela died.  That first project I was a rapper.  Straight rhymes, no chaser.  I was a straight rapper.  Metaphors.  Deep lines.  Intricate flows.  My next project I was a musician, similar to a Quincy.  I would love to work with him before he passes away.  There were certain songs that didn't make the project, but I was happy with the result.  Now this third project, I'm an instrument.  I'm taking plenty people on a ride with me on this one.  Over the years people that have been with me will see the growth.  That will be the difference with this one.  I won't be in the studio again until January. [Editor's Note:  This interview took place November 2015]  I will do as much as I can once I get back in the studio.  I'm just telling the blogs to wait while I make more music to hear.  I'm not sure when I will drop the new one, 2016, maybe 2017.  When the time is right you will hear it.
 
 
"Roll it over light it up I'm never beginning wrong, is my environment worth the world that it's spinning on.  Good luck with that chain of thought knowing that you won't need 'em, prisoner of the mind and a slave to your own freedom."
 
                                                       - Cadeem
 
 
WISDOM SEEKER:  Who are you working with?
 
CADEEM:  There is this great instrumentalist from Detroit, Prentice Jackson.  I also have a good friend Bryan Cole that I work with as well.  Funny story...I stole one of Prentice's beats for my first beat! (laughter)  I was in the studio and he heard it and noticed it was his.  If it was just that easy with someone else!  Jordo, out of Connecticut, a few of his beats ignited this project.  The new project was supposed to originally be an EP.  Looks like it will be a full-fledged release now.  Now I've said it before on Twitter, but I grew up under Dilla.  I am a child of Dilla.  I planned to do a song on each project with a J Dilla beat.  I wanted to do a whole project with nothing but Dilla beats.
 
WISDOM SEEKER:  Now are there any other creative talents?
 
CADEEM:  Truthfully, no.  Like Professor X when he was younger.  I focused so much on writing that my other talents kinda dwindled.
 
WISDOM SEEKER:  Where do you see yourself five years from now?
 
CADEEM:  In five years I will be 29.  I think I will be opening for a serious legend, or someone opening for me.  Opening for Rakim!  Looking back at my music, I have a lot of friends that are fraternities and sororities.  Hip Hop became my fraternity.  Cats my age are trying to break out truthfully.  You have a Rakim, you have a KRS-ONE.  Can I speak on this?
 
WISDOM SEEKER:  Of course.
 
CADEEM:  I did a tribute to Black Moon.  What's that beat?  "How Many MC's...", that's it.  As soon as I laid my Buckshot verse my engineer asked me if I wanted to lay it.  For some reason I said no.  Twitter, man.  Now Buckshot is following me on Twitter!  Me!  That's an honor and blessing.  Not even sure if he knows that yet. (laughter)  Then I got turned on to Sean Price.  I found out Sean Price passed away while I was in Chicago.  Total shock.  He was such a lyrical beast, man.  Really sad day in Hip Hop, really sad.
 
WISDOM SEEKER:  It caught me off guard completely.  I was a huge fan of Sean P.  Met him at a show in B-more a few years ago with Boot Camp Clik.  I still can't believe that he is gone.
 
CADEEM:  Same here.
 
WISDOM SEEKER:  Since you talked about Chicago, where have you performed?
 
CADEEM:  Little Rock of course.  Dallas and Chicago.  I'm living a double life.  They both showed me much love.  I'm looking to move to Dallas.
 
WISDOM SEEKER:  Why are you relocating?
 
CADEEM:  I want to get my music out there to the people.  My girl lives there too, need I say more? (laughter)  I have family members in Dallas.  Now do you remember in 8 Mile how no one took B Rabbit serious until the end of the movie? (laughter)  That's how I feel sometimes.  I told my auntie about me releasing music on June 5th.  While I was watching Inglorious Bastards, at 12:05AM she hit me up saying "it's June 5th".  It's good to have some support from family, I can't even lie.
 
WISDOM SEEKER:  When someone brings up Little Rock, the first thing that usually comes up is the HBO Documentary Gang War:  Bangin' In Little Rock.  Describe the Hip Hop scene in Little Rock.
 
CADEEM:  The scene is ok, it's what you really make it.  You have your gangsta rappers, of course.  You have your trap rappers.  There are a few of us that bring that lyrical side to Little Rock.  I pride myself on my pen and being a lyricist, first and foremost.
 
WISDOM SEEKER:  I wanted to let you know that you are a very dope lyricist and wise beyond your years.
 
CADEEM:  It's real humbling to hear that.  I appreciate it.
 
WISDOM SEEKER:  No doubt.  Now would you consider yourself a producer or more the ear when in the studio?
 
CADEEM:  It's the latter, but I want it to be the former.  I can hear guitar riffs really well.  Now my girl, on the other hand, she's a producer.  She is definitely musically inclined.  I will keep her to myself, at least for now. (laughter)  I know that sounds selfish, but it's good to have someone in my life that has that direction.  I'm trying to be the first one to blow up.  In college I was just "the boyfriend".  I was Stedman to her Oprah.  I can't wait to go to her hometown and blow up. (laughter)  She's been in Dallas all her life.  Call me petty. (laughter)
 
WISDOM SEEKER:  Tell everyone where they can find your music.
 
CADEEM:  Of course you can find me on Twitter @Cadeem_1606.  My Soundcloud link is https://soundcloud.com/clark-cadeem.  On Facebook you can hit me at https://www.facebook.com/pages/Cadeem/183248918400542.  My Reverbnation link is https://www.reverbnation.com/cademptious.  I will change my Instagram this year (2016) and I will also add Snapchat soon.  My Hand Of God EP with M.O.B. Trey came out in October.  You can find it on Bandcamp at https://mobtrey.bandcamp.com/album/hand-of-god.  We grew in this together.  Yin and yang.  It's five dollars to get it on Bandcamp.  It's well worth the purchase!
 
WISDOM SEEKER:  What do you want to tell all the readers?
 
CADEEM:  I want to thank you for this interview.  It's a humbling experience to have someone want to reach out and inquire about my music and background.  I want to make sure that everyone is able to listen to the music, feel the music, like I feel the music.  Thanks to everyone out there!  Peace!
 
 
 
 
 
VIDEO:  "Crows"
Directed/Produced by:  Archie Howard III
 
 
 
 
 


Friday, February 26, 2016

ART OF COOL HONESTY HOUR [WEEK 1]

The EXTREMELY dope Bull City-based Art Of Cool Festival has brought a sense of class and energy to the burgeoning music community in the Triangle region.  I've experienced the positive vibes of the festival first-hand (i.e. The Foreign Exchange, Cody Chestnutt, Amel Larrieux), and I can safely say that it is garnering national attention.  Along with Hopscotch Music Festival (and now Moogfest), we are showcasing to the musical world that indeed the South has something to say (to quote the mighty Outkast).  This region is a hotbed for good, dope music.  Leading up to the third year of AOC, fans and music aficionados can get weekly teasers from a new video series documenting eleven weeks of honest musical dialogue.  Week 1 features lovely ladies Chelsey Bentley (@BCGmarketing_) and Cicely Mitchell (@drcicy) discussing Anderson .Paak, The Internet, Yeezy, as well as Kendrick Lamar's grand opus To Pimp A Butterfly.  I am looking forward to the rest of this series leading up to May 6th-8th.  I will be there...will you?  Stay tuned for more insight into the AOC experience.



#AOCHonestyHour




Thursday, February 25, 2016

[NEW MUSIC] ULLNEVANO + JUMBLED --- "HAMPDEN SESSION" (FROM THE ALBUM WISH IT WAS LONGER)

The lead single from the Jumbled project Wish It Was Longer is the Ullnevano-assisted "Hampden Session".  You know that when Ullnevano is involved, tried and true Hip Hop is in effect.  Expect no different with "Hampden Session".  I am just getting familiar with the boom-bap musings of Jumbled, and as a fellow beatmaker I give nothing but thumbs-up for his musical soundscape.  His DIY approach to beatmaking is refreshing and dope, to say the least.  After checking out this cut, go to the Bandcamp page for a more comprehensive list of music from Jumbled.

[ALBUM STREAM] J DILLA---THE KING OF BEATS, VOL. 2: LOST SCROLLS

As many of you already know, February is now a universally-accepted month honoring the memory and music of James DeWitt Yancey, known as Jay Dee, Pay Jay, J Dilla (and other nomenclatures).  Even though his fans and followers have relished any and all joints bearing his name (sometimes being disappointed because many of the songs were not the final vision of Dilla), there comes a point where we will no longer hear unreleased music from the genius behind the MPC.  This should be a precursor to the final official release for Dilla-approved music for public consumption entitled The Diary (due April 15th as a collaborative effort between the Yancey estate and Mass Appeal Records). 

Eighteen instrumentals deep, this collection should inspire and give a glimpse into the artistry that illuminated the skies and then dimmed too soon.  Take a listen via Spotify album stream, then purchase on iTunes. 

#RestInBeatsDilla




Sunday, January 24, 2016

[NEW MUSIC] BLACK-TOKYO MUSIK --- OUTTA HERE WIT THAT BULLSH%T EP

Black-Tokyo Musik is back again with a new release entitled Outta Here Wit That BullSH%T, a dope collection of joints that delivers the usual BTM-flavored boom bap for the intelligent listener.  I could give the normal dissertation about the content and quality of the music, but I will allow the listener to make the proper judgement call by absorbing this EP in its entirety.  Take a listen and you will understand where Black-Tokyo Musik is taking us with Outta Here Wit That BullSH%T.  Dope as usual!


Link:  https://black-tokyo.bandcamp.com/album/outta-here-wit-that-bullsh-t-ep
Twitter:  @BlackTokyoMusik



[NEW MUSIC] DOT-COM INTELLIGENCE --- RESONANCE [FULL ALBUM]

Hailing from Chocolate City is the talented emcee Dot-Com Intelligence.  Harkening back to an era where Black pride and militancy was more the norm and not the exception in Hip Hop, this young brother brings a flair of intellect and consciousness you won't hear twenty times a day via Clear Channel (and that may not be a bad thing).  His material is definitely not watered down, and he has the potential to be a potent leader in the DMV Hip Hop arena. 

Peep the recently released project Resonance, twelve tracks of revolutionary and introspective music that will make you think and bop your head at the same time.  Looking forward to more positivity from Dot-Com in the future.  You can find the artist via Twitter:  @Dotintell19.

Soundcloud:  http://soundcloud.com/dot-com-intelligence/sets/resonance
Bandcamp:  www.dotcomintell.bandcamp.com






Monday, January 18, 2016

[NEW MUSIC] "NO MORE PARTIES IN L.A." --- KANYE WEST FEAT. KENDRICK LAMAR [PRODUCED BY MADLIB]

Mr. West teased us a week ago with the snippet for "No More Parties In L.A.", and social media was ablaze with fervor over the completed project.  We now have the full joint, in all its Kanye/Kendrick/Madlib glory.  How does it sound as a finished product?  In today's here today, gone tomorrow market it is pretty good.  Truth be told it sounds like it was a track destined for My Beautiful Dark Twisted Fantasy (that's another story unto itself), but whatever the case I will take it.  I hope that the February release of SWISH will be more of this and not "Jumpman", but that is just me (or is it?).  Nevertheless take a listen to the full, unadulterated version with Kendrick Lamar spittin' that TDE heat and Madlib diggin' in the dusty crates for "Suzie Thundertussy" by Junie Morrison as the backdrop (do your research).

https://soundcloud.com/kanyewest/nomorepartiesinla